As a basic principle, archetypes are not realized in static form but present in dynamic form, expressing transformations in consciousness. Archetypal images transform as awareness transforms. Or said another way, archetypes appear in various forms as consciousness shifts.
In terms of enlightenment, sacred images represent transformations in consciousness, expressing a movement from duality to integration and wholeness. Archetypes are therefore expressed in symbols of transformation: representing transformations in consciousness; transforming as consciousness transforms. .
The syzygy is a potent symbol of transformation, representing core transformations in the phenomenology of the Self . The transformations in the syzygy archetype emerge along with transformations of the self, movements from duality to integration.
Carl Jung understood that psychic transformations presents itself in dream form. He says: “Natural transformation processes announce themselves mainly in dreams.” (Carl Jung 9i para 235)
For Jung, dreams are coincident with the process of psychic transformation. Such transformation is a “long-drawn-out process of inner transformation and rebirth into another being. ” When Jung speaks of this ‘other being’ he is speaking of ‘the other person in ourselves-that larger and greater personality maturing within us, whom we have already met as the inner friend of the soul.” (ibid)
In the image above, we see an 18th century painting of the Buddha. Although Buddhism denies the existence of the Self, from the perspective of depth psychology the Buddha is an archetypal image of the Self.
The Japanese Baku (aka Hakutaku) is known as “the eater of dreams.” In Japan it is said that if you chanted an invocation three times then the Baku will eat your dream. After a bad dream people call out to Baku: Baku Kurae! Baku Kurae! “Devour, O Baku! Devour my evil dream.” The Baku is a spiritual being. As explained in the following Japanese story the Baku knows the teachings of the Buddha:
“I was taken to a prison. The time period seemed to be long ago, the location somewhere in ‘the orient’. The prison was in the countryside- with dirt floors and structures made of wood. There was a small place to sleep on the floor, a window which looked out over the countryside, and mat to sit upon.
After I was locked up, I thought: “Now what shall I do to the pass the time.” I had an answer. I sat down on the mat and began to chant an ancient Vajra mantra. Eventually, a woman came to my prison. She gave me an earthworm to eat. I put it in my mouth and it began to wriggle around in my mouth, like a water dragon in the sea. It felt pleasureful and even nourishing. Then I looked around and realized that the prison had transformed into a comfortable environment, a humble space in which I could meditate. There was a window from which I could watch the sun rising. As I looked out that window, I saw an old lady weighing a fat pink pig.
Some amplifications and interpretations of the dream content:
The dream took place in the”orient”. This could be a metaphor for the dreamer’s orientation.
In dreams, a prison may represent the dreamers state of mind. In discussing dream interpretation of imprisonment themes, Tony Crisp says: “We are often imprisoned by a state of mind, a fear, or by ignorance.”