What follows is a wonderful story from the Linga Purana which illustrates the nature of Shiva Linga.
Carl Jung says that “the goddesses… are libido-symbols.” He adds: “The libido expresses itself in images of sun, light, fire, sex, fertility, and growth” (para 324).
The image above beautifully expresses the powerful feminine form of Durga as libido, or the creative force. Durga, दुर्गा means “the inaccessible”(wikipedia). She is a form of the Goddess Shakti. In this image she rides a lion to battle a buffalo possessed by a demon. Her four arms are armed with weapons. I see a conch, a bow and arrows, a sword, a lasso, and a lotus, each holding symbiotic significance. The Hindu Society of Berbice offers an interpretation of the symbols:
In Symbols of Transformation, Carl Jung says that the hero myth “symbolizes the ideas, forms, and forces which grip and mold the soul.” (para. 259) The hero is an image or form of the living soul, expressing trials and tribulations as encountered upon the path of soul. While we often think of the hero in terms of idealized images of triumph and even of immortality, getting at the soul of the hero takes a more subtle insight. Such insight includes an understanding of the subtle realms of psychic life: perceptions that extend beyond idealized images, perceptions of the movements in the life of the soul.
At the time that Jung wrote Symbols of Transformation, Freud and Jung were engaged in a stormy debate regarding the nature of psychic life, each seeing the psyche from a different perspective. Their two perspectives formed two basic viewpoints on psychic life: the egoic and the transpersonal. This schism played out in their perspectives on myth interpretation, and particularly their interpretation of the Oedipus myth. Freud’s understanding was focused on the development of the ego, reflecting ego development taking place within the first half of life. Jung’s psychology was focused on archetypal elements, and his reading of the myths focused on the movement beyond ego, into transpersonal and archetypal motifs. Jung often took the perspective that the transpersonal aspects of psychic life were collective and biological, arising from evolutionary determinants. My aim is to read Jung’s writings from a spiritual perspective, understanding that archetypal images express the telos of the soul– the aims and instincts of the soul.
It is said that Agni is the first-born; that Agni is the God of fire. Agni is an image of the creative force.
In the above image we see the Hindu deity Agni and his consort Svaha. Agni appears in his dual nature, with two heads he faces both God and man.
Phanes is an ancient image of the creative force. In the image above we see Phanes: eagle’s wings, cloven feet, of both sexes. A serpent coils round him, crowning his head, encircling an egg engulfed in fire. He stands on fire, hair of fire. He holds fire in one hand and a staff in the other, encircled by the Zodiac. On his chest we see the goat, the lion, and the ram.