Phanes is an ancient image of the creative force. In the image above we see Phanes: eagle’s wings, cloven feet, of both sexes. A serpent coils round him, crowning his head, encircling an egg engulfed in fire. He stands on fire, hair of fire. He holds fire in one hand and a staff in the other, encircled by the Zodiac. On his chest we see the goat, the lion, and the ram.
In Symbols of Transformation, Carl Jung speaks of the ‘cosmic man’, drawing upon a passage from the Shvetashvatara Upanishad:
“Without feet, without hands, he moves, he grasps; eyeless he sees, earless he hears; he knows all that is to be known, yet there is no knower of him. Men call him the Primordial Person, the cosmic man. Smaller than small, greater than great ….” (cited in CW5, para. 182)
In the above image, we see a paining of Surya, the sun God, from the 19th Century. Surya is seated on his chariot led by a horse with seven heads. He is surrounded by attendants and the multitudes praise him. It is said that Surya is the eye of the cosmos. 
In images of the cosmic person, Surya is one the eyes, contrasting with the moon in the other eye, representing the solar and lunar aspects of both the cosmos and psychic life.
The image above is of the Purushkara Yantra. This is a cosmic man figure from the 18th Century. The cosmic body contains the different levels of being.
Yantras such as this one offer a means of Self-realization in the Hindu tradition. They are used in meditation along with a mantra for Self-realization. The yantra represents the relation between the macrocosm and the microcosm. Through meditation on the yantra, one turns within to discover he cosmos within. The Mundaka Upanishad (8:1) speaks of the cosmic man: