In the image above, we see the Divine Child in the form of Ganesha. The Sanskrit word Ganesha is from gana meaning “multitude” and isha meaning lord “lord” . Ganesha is half elephant and half human. In the image, Ganesha sits on his mother’s lap. She is Parvati the goddess of love, strength, and spiritual power. Ganesha’s father is Shiva, the great destroyer of ignorance and the image of the supreme Self. The Divine Child Ganesha is born of a divine polarity. The cosmic father and mother make up two poles of a sacred Oneness.
In Tantric Shaivism, the initiate meditates on the nature of Shiva and Shakti (Parvati), so as to realize the unity of their nature. Shiva and Shakti represent two aspects of existence. Shiva represents consciouness and Shakti represents life energy. The spiritual aspirant meditates on bringing these two aspects of Being together into unity and Oneness.
Oneness is a “state of being unified or whole, though comprised of two or more parts.” Carl Jung understood that the Self is the archetype of wholeness (CW 5, 9i, 9ii), meaning that the Self is realized when opposites are unified. The spiritual path of Vedanta understands that the only true Identity is between the individual Self and Ultimate Reality. In Shaivism, the supreme identity is Mahādeva. Shiva is an image and representation of Ultimate Reality, and thus also an image of our potential union with Ultimate Reality. The union between the Self and Ultimate Reality is known as Oneness. In this post, I am going to continue my exploration of various spiritual traditions. I am going to share some passages from the Brahmanda Purana (Chapter 27), a Hindu Sanskrit text. In the story, Shiva makes a strong statement concerning his own nature.
It’s a strange day
No colors or shapes
No sound in my head
I forget who I am
When I’m with you
There’s no reason
There’s no sense
I’m not supposed to feel
I forget who I am
(Goldfrapp – Utopia)
There are moments in life when we lose ourselves completely. These moments occur spontaneously in states of love and joy, as well as pain and hardship. When we fall in love we forget ourselves: there’s no reason. And at the loss of love, we again forget ourselves: there’s no sense. These movements of love and loss are at the ends of the spectrum, the outer circumference of being human, marking an aspect of the Self that the mind simply cannot grasp.
In Symbols of Transformation, Carl Jung explores the dynamic relation between the masculine and feminine poles of the psyche. This relation is revealed in images of “sacred cohabitation”. One such image is the Lingam and Yoni. Jung says:
“The motif of continuous cohabitation is expressed in the well-known lingam symbol found everywhere in Indian temples: the base is a female symbol, and within it stands the phallus.”